If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to. If you would like to reproduce text from a MoMA publication, please email. For more information about film loans and our Circulating Film and Video Library, please visit. For access to motion picture film stills for research purposes, please contact the Film Study Center at. Motion picture film stills cannot be licensed by MoMA/Scala. But where their score for David Cronenberg’s 1991 film really stands out is how it shows off the more eccentric possibilities of jazz. Jazz is great for conveying melancholy, which Howard Shore and Ornette Coleman do incredibly well in Naked Lunch. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at. Hear more of the Elevator to the Gallows score on Spotify Naked Lunch. At this time, MoMA produced video cannot be licensed by MoMA/Scala. MoMA licenses archival audio and select out of copyright film clips from our film collection. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Organized by Ron Magliozzi, Assistant Curator, and Joshua Siegel, Assistant Curator, Department of Film. Even today, jazz music continues to have a dramatic impact on the visual design of film trailers and the graphics of film promotion. The improvisational nature of jazz expression also suited the radical spirit of independent and New Wave filmmaking throughout the world. Musicians like Duke Ellington, Miles Davis, John Lewis, and Quincy Jones joined Hollywood composers like Alex North, Elmer Bernstein, and Henry Mancini in exploring modern ways of accompanying both the light and serious moods of films. The introduction of contemporary jazz to film scoring in the mid-twentieth century brought fresh forms of sophistication and innovation to world cinema. The animated works are also shown in full, both in the gallery and as part of the film series. This gallery exhibition, presented concurrently with an extensive series of films and live concerts, features a sampling of jazz-influenced merchandising, including a display of Polish and American film posters video clips of jazz-scored scenes spanning five decades of international cinema and a large-scale installation of original animation art from John and Faith Hubley’s Adventures of an * (1957)-a landmark short, newly restored by the Museum, featuring music by Benny Carter-and John Canemaker’s Bridgehampton (1998), featuring music by Fred Hersch.
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